Jumat, 21 Januari 2011

[B870.Ebook] Ebook Download The Astrological Foundation of the Christ Myth, Book Two - Second Edition, by Malik H Jabbar

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The Astrological Foundation of the Christ Myth, Book Two - Second Edition, by Malik H Jabbar

From The Author: This is the Second Edition of the Book. The book has been extensively revised pursuant to greater clarity. We have also enlarged the book in keeping with this aim. This is Book-Two of a Four-Book series. It is my intention that each ensuing volume shall explore this subject of astrological mythology in increasing detail and greater depth. The contention advocated in this essay is that modern religion is a direct offshoot of mythology, and that mythology is, in great part, astronomy written in a mythological format. Astronomy, of course, is a science, and as with any science, the explanations, at times, may be very intricate and mathematical. Consequently, I have decided to cover this subject in four stages or volumes, with each sequential volume taking us deeper into the intrigues of astrotheology. I think that this edition is much more understandable than the First Edition, although Chapter One may be considered somewhat arcane by some. We are dealing with very complex subject matters, for which lucid explanations are, at times, difficult to transmit; however, I believe that the explications within this edition have been significantly enhanced, with markedly improved analyses and clarity. The book proves that ancient mythology was, in fact, written allegorical records of astronomical or celestial transitions, under the type of mythical deities. The History of the biblical Jesus Christ is drawn from the symbolical history of prior Sun Deities. His birth through to his death, as represented in the bible, is a symbolical representation of the annual Sun Cycle, which is given detailed explanation within this book we have correlated all of the major events in the life of the biblical Jesus with their astronomical counterparts - this symbolism is thoroughly explained, and proven within the Book. The cosmic transitions that we have correlated to the biblical life of Jesus Christ are clear and explicit. The history of the Children of Israel, in the bible, is pure symbolism also, and in various aspects parallels the basic storylines of the mythical Jesus. The fabled stories of the Old Testament carry symbolisms similar to those of the New Testament scriptures, so we have provided insights into the Old Testament allegories as well; relevant to cosmic, agricultural, and cultural symbolisms.

  • Sales Rank: #351462 in Books
  • Published on: 2011-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 5.50" w x .40" l, .50 pounds
  • Binding: Perfect Paperback
  • 185 pages

Review
The first step of our edification is to understand, as we have explained in Book One of this series, that ancient spiritual or religious writings were, for the most part, not literally true as presented, at face value. Our modern religions are derived from ancient mythology. The Ancients used parables, allegories, and metaphors to express and illustrate many profound philosophical, psychological, and spiritual hypotheses, and other extrapolations derived from their research, observations, experiences, intuitions, and study. This treasured historical and cultural knowledge was strategically embedded, in encrypted form, within the fabrics of their poetic and religious mythology. The prodigious task that now confronts us is to correctly translate this arcane, convoluted mythological language into our modern vernacular, so as to study and evaluate the messages contained therein, bequeathed to us by the lost and ancient cultures of history and prehistory. It is the greatest of folly to think that the ancient mythological tales were just empty stories, or morality plays, or the rhapsodies of ignorant and superstitious primitives. Mythology, or better to say, the correct interpretation of mythology is the gateway to the hidden mysteries of the ancient past. The word Mythology by definition indicates the study of Myth, but not myth in the sense of fiction but rather myth as cultural and traditional tales or fables, carried from generation to generation amongst various cultures, pregnant with historical, religious, and cultural data veiled under the type of allegories, metaphors and symbols. It (mythology) is actually the documentation of research and conclusions made by the Ancients in their quests, and preservations of knowledge concerning god concepts, the environment, medicine, astronomy, government, ethics, law, philosophy, physics, psychology or parapsychology...... The understanding that our religious beliefs are actually psychological, mental concepts, and not realities, is the true beginning of genuine spiritual awakening or enlightenment. There were in times past gods called Thor, Enki, Attis, Dionysus, Jupiter, Baal, and many, many others but these gods, as we all know, are no longer with us. There is one overriding reason that these ancient deities have not survived into our era, which is this: the human minds that conjured and/or accepted these mythical deities as real, and carried them in spirit from generation to generation inside the folds of their imaginations, likewise, are no longer with us. The same baneful fate awaits the popular monotheistic deities of today, namely Allah, Jesus, and Yahweh All of these deities are imaginary, spirit gods existing only in the minds of their adherents. We have created these god concepts in our image and likeness or as a fit for our various cultures; but be that as it may - as our cultures evolve intellectually, the demise of these fanciful deities, as presently constituted within the imagination, is certain; because they (these mythical concepts) cannot withstand the scrutiny or critiques of enlightened and rational intellects ..... the paramount function of the cryptic language of mythology is the tracking of time, the seasons, the years, the cosmic cycles; all of this is fundamental to the lasting survival of the species of Man on this planet. --Excerpts

The core of mythology is Time and Numbers, because, as was emphasized in Book One, the paramount function of the cryptic language of mythology is the tracking of time, the seasons, the years, the cosmic cycles; all of this is fundamental to the lasting survival of the species of Man on this planet. If Man is to successfully and consistently secure food and shelter over extended periods of time, he must master the numbers, that is he must understand and labor within and around the courses of the malevolent cycles of natur --Excerpts

The core of mythology is Time and Numbers, because, as was emphasized in Book One, the paramount function of the cryptic language of mythology is the tracking of time, the seasons, the years, the cosmic cycles; all of this is fundamental to the lasting survival of the species of Man on this planet. If Man is to successfully and consistently secure food and shelter over extended periods of time, he must master the numbers, that is he must understand and labor within and around the courses of the malevolent cycles of nature, ------- Be that as it may, our focus, at this time, is on the numbers, and the pivotal number expressed in the verses of Matthew above is 40 (forty). This number forty represents the struggle of the Sun (son, prince) against the competing cosmic forces of the underworld that are attempting to restrain the ascent of the sun toward dominance in the upper world. This opposition of the cosmic underworld forces is allegorically expressed as attempts of Satan to cajole, woo, or tempt the sun into remaining in the underworld of plutocratic sensual riches as indicated by the biblical rendition. The significance of the number forty is clear and widespread in the bible. The Number forty is one of the most significant symbolisms used within the scriptures. The number forty represents pure symbolism and allegorically expresses the interval of time between the sun reaching certain celestial coordinates (the equinoxes), and its (sun s) tangible effect upon the climate of our planet, after reaching those coordinates. The interval is forty days, even though the biblical editors may use weeks, or years, or hours, in the text, according to the subject matter of the tale, so that the unit (description) used will fit the context of the specific fable. The interval is always referred to as a Struggle of some sort, some type of deprivation, or trial, or test. This is because of the extreme difficulty our solar sun encounters in vanquishing the winter cold from our atmosphere. After six months under the equator, the sun is now in position, when it reaches the vernal equinox on March 21, to restore warmth and moisture to the northern regions. But the victory of warmth over cold is not immediate, but rather a tug of war, back and forth, between the forces of light (warmth, salvation, reward and blessings) and darkness (cold, tempting devil, Satan). But after 40 days (from the vernal equinox of March 21 to may 1, May Day), you can rest assured that the frost won t ruin your crops. The sun is now victorious, and free of the tempting (tugging) devil of winter. This Forty refers to the Lag Time between the Sun reaching the equinoxes, to the actual Terrestrial effect on the earth, that takes about 40 days to materialize. The Spring and the Fall begin officially when the Sun crosses the Equinoxes, but the effect on the earth s weather is delayed for a period of forty days. This Period between the Sun s astronomical position and the earth s warming or cooling is a wilderness journey. The Goal or the Mount has been reached, but the effect on the earth s climate takes more time (40 days, which represents the amount of time needed for complete seasonal transition). The Ancients symbolized this period in the Wilderness, by two semi-equinoctial holidays, namely May Day that comes forty days after the Spring equinox, and Halloween which comes forty days after the Fall equinox....... --Excerpts

The origin of the popular concept of Heaven is easily identifiable. It evolved from the original scientific, astronomical mythology. Ancient Mythology was the rendering of scientific astronomy in a mythological format. Mythology symbolizes the movements of the heavenly bodies within the cosmos. Astronomy deals with charting the cycles of all the entities within the cosmos. The Prophecy that prevails in Mythology and religion is a result of this charting. Of course a Prophecy, when delivered in a personified religious format, seems to be the miraculous foretelling of human events. But, in its Original form, the Prophecy did not pertain to future human activity. The Prophecy pertained to the future movements of celestial entities. I often refer to Astrology/Mythology as Scientific, because it is absolutely that. Astrology/Mythology is based on the Science of Astronomy. To clarify my point - let us now define Science. Science Begins with Observation. The scientists seek to detect patterns, laws, and cycles in that which is being observed; in this case, the Starry Heavens. Secondly, the scientists record the patterns, laws, and cycles that they have successfully detected, from their initial observations. Thirdly, the scientists renew their observations, and compare the results of their continued studies with the records of their past observations. When the scientists are successful, in their attempts to identify consistently repetitive cycles, they then, on this basis, record their conclusions as to scientific facts. This registry of scientific conclusions then serves as a model by which scientists can accurately predict the recurrence of certain events based on their records of established cycles. The ancient astronomers consequently wrote predictions as to future motions within the cosmos based on their recorded observations. Since the astronomers/astrologers used a mythological format to record their findings, their predictions of future cycles were transformed into the prophecies of the deities, their future conquests, intrigues, wars, and defeats. So when religion evolved from mythology, the chain continued. The Predictions of the scientific astronomers and astrologers, that became the oracles of fabled deities, when recorded under mythological headings, continued as the prophecies of messengers from god, in their Religious Format. The credos, cultural, and moral values within religion were evolved from scientific mythology also. The original mythology was astronomy rendered as allegories and fables…………………… The ancients charted and recorded the movements of the celestial bodies under the Type of mythical deities and demons. They recorded the transitions of the seasons and planetary influences as the conquest and defeats of allegorical entities. In some cases, they described the transition from the upper-world (northern hemisphere) to the underworld (southern hemisphere) as a failure of the symbolical sun (chosen people/prophet/kingdom) to keep faith, or follow the commandments. They described the sojourn of the sun below the equinoxes as punishment, enslavement, or banishment in many cases. This was Astronomy rendered as mythology, and out of this mix, was begotten Astrology. And Astrology as such (that is to say as the child of Astronomy and Mythology), is the Foundation upon which modern religion has been structured. All, or the greater part, of the wars and conflicts described in the bible are allegorical representations of the constantly contending forces of nature. All, or the greater part, of the creations of kingdoms and the debasements of kingdoms or the blessing of persons and/or peoples and subsequent punishments or destructions of these Persons/Peoples/Kingdoms are allegorical representations of the transitions of the seasons, and associated cosmic interactions. --Excerpts

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0 of 0 people found the following review helpful.
like the title suggest
By jerry johnson
like the title suggest,Jabbar breaks down the esoteric astrology and science of the christ mythology,lots of unknown bible literature exlained a great build off kersey graves16 crucified saviors and john g. jackson christianity before christ,this little book is big

0 of 0 people found the following review helpful.
AMAZING INFORMATION
By SaVet A
I ordered 1, 2, 3, and 4. These books are truly AMAZING. Is Malik Jabbar still alive? This is powerful information. I recommend these books to anyone. I started with book 2. and then went to book 1 and thereafter. I could not put the books down. This is real history. Real information. I recommend these books 100%.

0 of 0 people found the following review helpful.
astrology as science
By walter a cabral
It's interesting to read how we been fool, the truth really is out there, but you need to dig deeply. He's one of the commercial writer, but still interesting to read!!

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Kamis, 13 Januari 2011

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This new title in the award-winning Lecture Notes series provides a clinically-oriented approach to the study of gastroenterology and hepatology, covering both the medical and surgical aspects of gastrointestinal practice. It explores organ-specific disorders, clinical basics, and gastrointestinal emergencies, together with a detailed self-assessment section. As part of the Lecture Notes series, this book is perfect for use as a concise textbook or revision aid.

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  • Takes a clinically-oriented approach, covering both medical and surgical aspects of gastrointestinal practice
  • Includes sections devoted to the organ-specific disorders, clinical basics and gastrointestinal emergencies
  • Includes a detailed self-assessment section comprising MCQs, SAQs and short and long OSCE cases

Whether you need to develop or refresh your knowledge, Gastroenterology and Hepatology Lecture Notes presents 'need to know' information for all those involved in gastrointestinal practice.

  • Sales Rank: #3366594 in Books
  • Published on: 2011-04-25
  • Original language: English
  • Number of items: 2
  • Dimensions: 9.60" h x .50" w x 6.80" l, 1.10 pounds
  • Binding: Paperback
  • 232 pages

From the Back Cover
This new title in the award-winning Lecture Notes series provides a clinically-oriented approach to the study of gastroenterology and hepatology, covering both the medical and surgical aspects of gastrointestinal practice. It explores organ-specific disorders, clinical basics, and gastrointestinal emergencies, together with a detailed self-assessment section. As part of the Lecture Notes series, this book is perfect for use as a concise textbook or revision aid.

Key features include:

  • Takes a clinically-oriented approach, covering both medical and surgical aspects of gastrointestinal practice
  • Includes sections devoted to the organ-specific disorders, clinical basics and gastrointestinal emergencies
  • Includes a detailed self-assessment section comprising MCQs, SAQs and short and long OSCE cases

Whether you need to develop or refresh your knowledge, Gastroenterology and Hepatology Lecture Notes presents 'need to know' information for all those involved in gastrointestinal practice.

About the Author
Anton Emmanuel, University College Hospital, London

Stephen Inns, University College Hospital, London

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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1888 Excerpt: ...from the 13th to the 19th having been normal. All the negative readings were got during a hot land wind from the west. Between the 6th and 9th of September a storm of unusual violence swept over the Madras Presidency from the south-west to the north-east, making itself felt in different ways at different places. The rainfall for September was unusually small all over Madras. The average for fifteen stations was 3-24 inches, not quite half the average for this month during previous years. The barometric curves for Colombo, Madras, Belgaum, Allahabad, and Calcutta (Alipore) have been drawn and found to resemble each other closely. All over India there was a minimum between the 6th and 7th, a maximum about the 18th, another minimum on the 21st, then a rise, and a third minimum on the 27th. The first essential in any attempt to arrive at an explanation of the cause of the green sun is to ascertain the precise dates at which the phenomenon was first observed in various parts of the world. It is difficult to do this, for persons are apt to make more precise statements than their observations warrant. For instance, the sun certainly set with a peculiar silvery gleam, but no greenness, at Madras on September the 9th, and yet many persons have assured me that they saw it set green there on that evening. The reason evidently was that after their attention had been arrested by the green snnsets of the 10th and 11th they remembered having noticed something peculiar about the sunset on the 9th, and immediately concluded that the sun had been green on that occasion also. In consequence of this tendency of the mind, the evidence for all the dates given has been carefully tested, and has been found in all cases sufficient to justify the opinion that these dates are correct...

  • Sales Rank: #7106751 in Books
  • Published on: 2012-05-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x .39" w x 7.44" l, .74 pounds
  • Binding: Paperback
  • 182 pages

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Kamis, 06 Januari 2011

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The Amazing Mathematical Amusement Arcade, by Brian Bolt

The Amazing Mathematical Amusement Arcade, by Brian Bolt



The Amazing Mathematical Amusement Arcade, by Brian Bolt

PDF Download The Amazing Mathematical Amusement Arcade, by Brian Bolt

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The Amazing Mathematical Amusement Arcade, by Brian Bolt

This collection of puzzles, games and activities is designed to stimulate and challenge people of all ages who enjoy puzzles with a mathematical flavour. Many of the puzzles have a long history, while others are original. The subjects vary from matchsticks to magic squares, train shunting to river crossing, and chess to calculators. The second part of the book contains a commentary giving hints and solutions.

  • Sales Rank: #1001353 in Books
  • Published on: 1984-10-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x .31" w x 7.44" l, .61 pounds
  • Binding: Paperback
  • 138 pages

Review
Over 100 puzzles, games and activities--on topics ranging from matchsticks to magic squares, shunting to river crossing, and chess to calculators. -- Book Description

From the Back Cover
This collection of puzzles, games and activities is designed to stimulate and challenge people of all ages who enjoy puzzles with a mathematical flavour. Many of the puzzles have a long history, while others are original. The subjects vary from matchsticks to magic squares, train shunting to river crossing, and chess to calculators. The second part of the book contains a commentary giving hints and solutions.

About the Author
fm.author_biographical_note1

Most helpful customer reviews

6 of 7 people found the following review helpful.
Good for school math class projects and puzzles.
By A Customer
I keep seveal sets of different small books like this (in multiple copies) for my 9th grade math students when it comes time to do display projects and make vocal presentations. This one fits very well into the scheme when it comes to short items. Class is always attentive (more than to me!).
Well illustrated, big print, and 130 puzzles (with solutions in the rear) of which I easily suggest about 4 dozen for project use, and others for personal or small group amusement.

0 of 0 people found the following review helpful.
Five Stars
By DIYGirl
Great puzzles! Makes math fun!

See all 2 customer reviews...

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Minggu, 02 Januari 2011

[Y397.Ebook] Fee Download The Handbook of Bird Photography, by Markus Varesvuo, Jari Peltomaki, Bence Mate

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The Handbook of Bird Photography, by Markus Varesvuo, Jari Peltomaki, Bence Mate

The Handbook of Bird Photography, by Markus Varesvuo, Jari Peltomaki, Bence Mate



The Handbook of Bird Photography, by Markus Varesvuo, Jari Peltomaki, Bence Mate

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The Handbook of Bird Photography, by Markus Varesvuo, Jari Peltomaki, Bence Mate

The Handbook of Bird Photography distills the knowledge, talent, and experience of three well-known professional wildlife photographers into one beautifully illustrated volume. Written in a manner that is easy to understand, this book offers fresh insight and practical tips that will broaden horizons for nature and bird photographers. The authors share their stories showcasing photographs for which they have received awards in major international wildlife photo competitions.

In this book, you'll learn about all of the elements that lead to a great bird photograph, including:

  • The bird photographer's equipment
  • Shooting techniques: exposure, focus, how to show movement and freeze action, etc.
  • In the field: bird behavior, hides, and how to attract birds
  • How to use light and compose and crop images
  • The best sites for finding and photographing birds


You'll also learn how to show, share, promote, and sell your photographs.

Bird photography is a brilliant way to spend your free time, and for some it's a career. This book helps beginners get the hang of things quickly and accurately, and offers field-specific expertise for more experienced photographers.

  • Sales Rank: #171286 in Books
  • Published on: 2013-04-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.10" w x 10.00" l, 2.88 pounds
  • Binding: Perfect Paperback
  • 368 pages

About the Author

Markus Varesvuo is a world-renowned bird photographer who has an uncanny knack for capturing action. While working in the business world for over 20 years, Markus ran a parallel life of bird watching and photography that began in his early teens. In 2005 he became a full-time professional bird photographer and has since written several books and received a number of awards for his photographs. His book Birds: Magic Moments was released by New Holland Publishers in late 2011 in six different languages. In 2010, he won the GDT European Wildlife Photographer of the Year award in the Birds category.

Markus is focused on European birds and works as eagerly with everyday species as he does with those that are more rare. He doesn’t photograph birds in captivity or use a flash, as he prefers to photograph birds in their natural environment.

Jari Peltomaki is an internationally acclaimed bird photographer and tour operator based in Finland. His thirty-plus years of experience in the field is evident in his books, articles, and talks. Though bird photography is his main interest, his photo library includes other wildlife as well, photographed both in Finland and abroad.

Since 2007, Jari has chaired the Professional Nature Photographers of Finland Association. His photographs regularly receive awards in international competitions and have received several awards in the Veolia Environnement (BBC) Wildlife Photographer of the Year contest. He is the director of Finnature, Finland's leading wildlife tour operator.

Bence Mate is a young and exceptionally talented wildlife photographer. Growing up in a small rural village in the Hungarian plains, a birder's paradise, Bence studied nature, his biggest interest. Most of his spare time was spent fishing, hunting, or bird watching, and he built his first hide at the age of 14.

At a time when Hungary had yet to see its first professional wildlife photographer, Bence decided to become one. He has since won numerous awards for wildlife photography, including the Veolia Environnement (BBC) Wildlife Photographer of the Year award in 2010. In 2006, he started a nature photo tourism business, and his innovations in wildlife photograph-custom-built hides, tripods, and one-way glass-have caught the interest of many photographers. In 2010, Bence published his first book, The Invisible Photographer.

Eagerly tapping into all the possibilities offered by continuous technical evolution, Bence focuses on action photography of wild birds, mammals, amphibians, and reptiles. He lives in Pusztaszer on his farm, which is also his business headquarters. He has built photography centers in Costa Rica and Brazil.

Most helpful customer reviews

22 of 23 people found the following review helpful.
More than just a coffee table book
By John M. Kell
My first impression was this is another coffee table book with beautiful bird photographs in living color expertly captured. But you do not get very far into the book to realize that it goes much deeper than this. The authors, three talented bird photographers from Finland, have successfully combined their knowledge of the techniques of field bird photography. While there is a section on the equipment you need, a major part of the book is about what to do once you have cameras and lenses. The descriptions of field techniques and how to capture those awesome images are most revealing. For example the authors explain how to be at the right place at the right time. How to create the right place and time. How to get close to birds that normally can be seen only from a distance. How and where to build blinds, anticipating the actions of birds, and the best angles to photograph them. They stress the importance of listening to birds and the need for perseverance by the photographer. Other subjects covered include: focusing methods, exposure, natural and artificial lighting, and how to deal with movement. Post processing of photographs is not included.
While at times I wanted more detail there is more than enough information to get you started researching a topic on your own. Lots and lots of ideas to draw from because now you know how they did it.
My biggest problem was actually reading the book. I kept finding myself reading the captions on all those awesome photographs and thinking about how I could use their ideas in my own photography. Then I have developed this intense desire to own a 500mm F4 lens. Even if you never get beyond the pictures it is still worth the price.

J Mike Kell
West Pasco Audubon Society

15 of 16 people found the following review helpful.
Wonderful Bird Images
By Conrad J. Obregon
Maybe it's all the snow in the photographs. Or maybe it's the species that I never see here in North America. Or maybe it's that the three Finnish authors and photographers of this book are the most patient, intrepid and artistic of photographers. As far as I'm concerned this is one of the best books of bird photographs I've ever seen.

Varesvuo, Peltomaki and Mate, two Finns and a Rumanian, first published this book in Finland, but the images were captured all over the world from Iceland to Brazil, and, in the United States, Bosque del Apache, New Mexico. Each of the sections of the book is written by a different author and they cover topics as diverse as the importance of perseverance and the art of building a blind. There are also sections describing some of the far-flung locales where the images were taken, including tips on where and what to photograph.

The number of award-winning pictures of both large and small birds in flight, or catching a meal, or preening is staggering. Opening the book at random, I see a photograph of a Little Bittern clutching a stout vertical reed with both feet, leaning way out over water to take a stab at a fish, and the escaping fish, flying through the air in a burst of water droplets. All of this is reflected in the water. The bird and the fish bear a halo of backlight but every detail of the shadow portions of the bird and fish are clear. One can't say this is a typical image, because few pictures in the book are typical.

The artists use a variety of equipment. There is a photograph of Whooper Swans taken with a lens set at 19mm, an angle so wide that most bird photographers would never assay an image with such a lens. But here are three swans large in the frame and ranks of other swans stretching back toward distant mountains. There is even a flight of six swans in the cloud-filled sky. Breathtaking and audacious!

One author claims that the book is aimed at beginning photographers, but I think not. There is no orderly development of photography skills. Instead, each chapter seems more like a magazine article, with them all arranged in a random order. Moreover, each of the chapters deals in very general terms. An article on sources of light suggested using a mirror to provide fill-light, something I've never read about in bird photography. I wondered if the author meant a reflector, which was mistranslated, and then wondered how to control either device in the wild. I would have appreciated a few more details, but I've been inspired to try the method and will have to proceed by trial and error.

The chapter on blinds discussed the construction of in-the-ground blinds, which take several weeks of labor for completion. I wondered how many photographers were willing to undertake so much effort for a few pictures. On the other hand, the quality of the pictures taken from these blinds appears to be so high that they might be worth the effort.

Whether it is the translation or the authors' style, many of the discussions seemed quite banal. On the other hand, a few seemed to present new approaches to bird photography. These few alone might make it worth the price of the book, even without the pictures.

However, when all is said and done, even without text, the images will thrill you.

In the interest of full disclosure, the publisher consulted me before acquiring the rights to this book. After reviewing the Finnish language book (I don't understand Finnish) I advised that even without text this book deserved to be published for the English-speaking audience.

9 of 9 people found the following review helpful.
The Handbook of Bird Photography
By Psharvic
"The Handbook of Bird Photography" by Finnish photographers Varesvuo, Peltomaki and Mate is a great guide for both aspiring and experienced bird photographers. Seemingly every aspect of bird photography is covered: the importance of understanding bird behavior, equipment, what makes a good bird photo, building blinds, attracting birds, etc. The exquisite photography in this handbook proves that the effort and knowledge that they've used in the pursuit of unique bird photos pays off.

The wealth of information, although sometimes awkwardly presented (perhaps the translation), and the fantastic bird photos are the plus of this book. The predominance of European bird photos will distract some North American birders but may inspire others to broaden their horizons. Bottom line, if you are a bird photographer, the information and photography are rock solid.

See all 56 customer reviews...

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